{"product_id":"vyangyavyakhya-the-aesthetics-of-dhvani-in-theatre","title":"Vyangyavyakhya: The Aesthetics of Dhvani in Theatre","description":"\u003cp\u003e\u003cstrong\u003eBook Detail\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor\u003c\/strong\u003e: K. G. Paulose\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Pages\u003c\/strong\u003e: 563\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date\u003c\/strong\u003e: 01-08-2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel Number\u003c\/strong\u003e: NAE964\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePart Number\u003c\/strong\u003e: NAE964\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEAN\u003c\/strong\u003e: 9788124606995\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackage Dimensions\u003c\/strong\u003e: 9.6 x 7.7 x 1.6 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguages\u003c\/strong\u003e: English\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis landmark volume focuses on the doctrine of \u003cstrong\u003eDhvani\u003c\/strong\u003e, a concept introduced by \u003cstrong\u003eAnandavardhana\u003c\/strong\u003e in the 9th century CE, particularly emphasizing its application in \u003cstrong\u003eIndian theatre\u003c\/strong\u003e. Though Anandavardhana's theory faced initial opposition from his contemporaries in Kashmir, it found widespread acceptance in \u003cstrong\u003eKerala\u003c\/strong\u003e, where it was applied by \u003cstrong\u003eKulashekhara\u003c\/strong\u003e, a royal dramatist of the same century. His work, known as \u003cstrong\u003eVyangyavyakhya (VV)\u003c\/strong\u003e, revolutionized \u003cstrong\u003eIndian theatre\u003c\/strong\u003e by interpreting implied meanings, marking a significant deviation from \u003cstrong\u003eBharata’s\u003c\/strong\u003e national tradition. This innovation became foundational for several classical forms of \u003cstrong\u003eIndian theatre\u003c\/strong\u003e, including \u003cstrong\u003eKutiyattam\u003c\/strong\u003e, \u003cstrong\u003eKrishnanattam\u003c\/strong\u003e, \u003cstrong\u003eKathakali\u003c\/strong\u003e, and \u003cstrong\u003eMohiniyattam\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Highlights:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFirst Publication of VV\u003c\/strong\u003e: For the first time, the \u003cstrong\u003eVyangyavyakhya (VV)\u003c\/strong\u003e, a performance text of \u003cstrong\u003eKulashekhara\u003c\/strong\u003e, is published, making it accessible for the first time in modern scholarship.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInnovative Contribution\u003c\/strong\u003e: The introduction of \u003cstrong\u003eDhvani\u003c\/strong\u003e to theatre marked an epoch in the development of \u003cstrong\u003eIndian performing arts\u003c\/strong\u003e, especially \u003cstrong\u003eSanskrit theatre\u003c\/strong\u003e. The work of \u003cstrong\u003eKulashekhara\u003c\/strong\u003e laid the foundation for the classical forms of theatre practiced in \u003cstrong\u003eKerala\u003c\/strong\u003e today.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScholarly Introduction\u003c\/strong\u003e: Four eminent scholars—\u003cstrong\u003eK.D. Tripathy\u003c\/strong\u003e, \u003cstrong\u003eRadhavallabh Tripathi\u003c\/strong\u003e, \u003cstrong\u003eN.P. Unni\u003c\/strong\u003e, and \u003cstrong\u003eKavalam Narayana Panikkar\u003c\/strong\u003e—provide in-depth introductions and discussions on the significance of \u003cstrong\u003eVV\u003c\/strong\u003e in the history of \u003cstrong\u003eIndian theatre\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHistorical Context\u003c\/strong\u003e: The book delves into the development of \u003cstrong\u003eSanskrit theatre\u003c\/strong\u003e until the 10th century CE, covering \u003cstrong\u003eperformance texts\u003c\/strong\u003e like \u003cstrong\u003eDhananjayadhvani\u003c\/strong\u003e and \u003cstrong\u003eSamvaranadhvani\u003c\/strong\u003e, along with the post-Kulashekhara era developments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePractical Guide for Practitioners\u003c\/strong\u003e: This volume serves as a comprehensive guide for students, teachers, and \u003cstrong\u003epractitioners\u003c\/strong\u003e of \u003cstrong\u003eIndian performing arts\u003c\/strong\u003e, with a particular focus on the applications of \u003cstrong\u003eDhvani\u003c\/strong\u003e in modern interpretations of ancient plays.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis scholarly work is an essential resource for those interested in the \u003cstrong\u003etheory\u003c\/strong\u003e and \u003cstrong\u003epractice\u003c\/strong\u003e of \u003cstrong\u003eIndian theatre\u003c\/strong\u003e, offering deep insights into the \u003cstrong\u003ehistorical evolution\u003c\/strong\u003e and continuing relevance of \u003cstrong\u003eDhvani\u003c\/strong\u003e in contemporary performance traditions.\u003c\/p\u003e","brand":"D.K. 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