{"product_id":"natya-sastra-raga-nrtya-ser-no-2","title":"Natya Sastra (Raga Nrtya Ser .: No 2)","description":"\u003cp data-start=\"71\" data-end=\"273\"\u003e\u003cstrong data-start=\"71\" data-end=\"85\"\u003ePublisher:\u003c\/strong\u003e Sri Satguru Publications\u003cbr data-start=\"110\" data-end=\"113\"\u003e\u003cstrong data-start=\"113\" data-end=\"126\"\u003eLanguage:\u003c\/strong\u003e English Translation Only\u003cbr data-start=\"151\" data-end=\"154\"\u003e\u003cstrong data-start=\"154\" data-end=\"166\"\u003eEdition:\u003c\/strong\u003e 2021\u003cbr data-start=\"171\" data-end=\"174\"\u003e\u003cstrong data-start=\"174\" data-end=\"183\"\u003eISBN:\u003c\/strong\u003e 9788170301349\u003cbr data-start=\"197\" data-end=\"200\"\u003e\u003cstrong data-start=\"200\" data-end=\"210\"\u003ePages:\u003c\/strong\u003e 644\u003cbr data-start=\"214\" data-end=\"217\"\u003e\u003cstrong data-start=\"217\" data-end=\"227\"\u003eCover:\u003c\/strong\u003e Hardcover\u003cbr data-start=\"237\" data-end=\"240\"\u003e\u003cstrong data-start=\"240\" data-end=\"255\"\u003eDimensions:\u003c\/strong\u003e 21 cm x 14.5 cm\u003c\/p\u003e\n\u003chr data-start=\"275\" data-end=\"278\"\u003e\n\u003ch3 data-start=\"280\" data-end=\"298\"\u003eAbout the Book\u003c\/h3\u003e\n\u003cp data-start=\"300\" data-end=\"846\"\u003eThe \u003cstrong data-start=\"304\" data-end=\"321\"\u003eNatya Shastra\u003c\/strong\u003e is an ancient text that holds unparalleled significance in Indian classical arts. Written by \u003cstrong data-start=\"415\" data-end=\"431\"\u003eBharata Muni\u003c\/strong\u003e, it encompasses \u003cstrong data-start=\"448\" data-end=\"493\"\u003estagecraft, music, classical Indian dance\u003c\/strong\u003e, and \u003cstrong data-start=\"499\" data-end=\"513\"\u003eliterature\u003c\/strong\u003e, establishing itself as the foundational treatise of the Indian performing arts. While primarily focused on \u003cstrong data-start=\"622\" data-end=\"631\"\u003edrama\u003c\/strong\u003e, it extends its influence across multiple disciplines, detailing aspects such as \u003cstrong data-start=\"713\" data-end=\"729\"\u003estage design\u003c\/strong\u003e, \u003cstrong data-start=\"731\" data-end=\"742\"\u003ecostume\u003c\/strong\u003e, \u003cstrong data-start=\"744\" data-end=\"754\"\u003emakeup\u003c\/strong\u003e, and \u003cstrong data-start=\"760\" data-end=\"769\"\u003emusic\u003c\/strong\u003e, and offering an in-depth analysis of \u003cstrong data-start=\"808\" data-end=\"831\"\u003emusical instruments\u003c\/strong\u003e of the period.\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1053\"\u003eThis \u003cstrong data-start=\"853\" data-end=\"873\"\u003e2021 translation\u003c\/strong\u003e of the \u003cstrong data-start=\"881\" data-end=\"898\"\u003eNatya Shastra\u003c\/strong\u003e brings its wisdom to a modern audience with an accessible and detailed interpretation. The work is divided into thirty-six chapters, covering topics like:\u003c\/p\u003e\n\u003cul data-start=\"1054\" data-end=\"1354\"\u003e\n\u003cli data-start=\"1054\" data-end=\"1077\"\u003e\n\u003cp data-start=\"1056\" data-end=\"1077\"\u003e\u003cstrong data-start=\"1056\" data-end=\"1075\"\u003eOrigin of Drama\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1078\" data-end=\"1115\"\u003e\n\u003cp data-start=\"1080\" data-end=\"1115\"\u003e\u003cstrong data-start=\"1080\" data-end=\"1113\"\u003eStage construction and design\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1116\" data-end=\"1168\"\u003e\n\u003cp data-start=\"1118\" data-end=\"1168\"\u003e\u003cstrong data-start=\"1118\" data-end=\"1166\"\u003eRole of emotions and gestures in performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1169\" data-end=\"1248\"\u003e\n\u003cp data-start=\"1171\" data-end=\"1248\"\u003e\u003cstrong data-start=\"1171\" data-end=\"1246\"\u003eTypes of acting (body motions, speech, costumes, and internal emotions)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1249\" data-end=\"1299\"\u003e\n\u003cp data-start=\"1251\" data-end=\"1299\"\u003e\u003cstrong data-start=\"1251\" data-end=\"1297\"\u003eDetailed analysis of music and dance forms\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1300\" data-end=\"1354\"\u003e\n\u003cp data-start=\"1302\" data-end=\"1354\"\u003e\u003cstrong data-start=\"1302\" data-end=\"1352\"\u003eRasa theory and its influence on Indian cinema\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1356\" data-end=\"1728\"\u003eThe \u003cstrong data-start=\"1360\" data-end=\"1377\"\u003eNatya Shastra\u003c\/strong\u003e is critical not only for its discussions on the arts but also for its theories on \u003cstrong data-start=\"1460\" data-end=\"1474\"\u003eaesthetics\u003c\/strong\u003e and \u003cstrong data-start=\"1479\" data-end=\"1505\"\u003eperformance psychology\u003c\/strong\u003e, which have shaped the evolution of \u003cstrong data-start=\"1542\" data-end=\"1570\"\u003eIndian classical theater\u003c\/strong\u003e. This book also includes \u003cstrong data-start=\"1596\" data-end=\"1614\"\u003ecritical notes\u003c\/strong\u003e and an \u003cstrong data-start=\"1622\" data-end=\"1640\"\u003eindex of terms\u003c\/strong\u003e, making it an essential resource for scholars and practitioners of the performing arts.\u003c\/p\u003e\n\u003chr data-start=\"1730\" data-end=\"1733\"\u003e\n\u003ch3 data-start=\"1735\" data-end=\"1755\"\u003eAbout the Author\u003c\/h3\u003e\n\u003cp data-start=\"1757\" data-end=\"2240\"\u003e\u003cstrong data-start=\"1757\" data-end=\"1773\"\u003eBharata Muni\u003c\/strong\u003e, the author of \u003cstrong data-start=\"1789\" data-end=\"1806\"\u003eNatya Shastra\u003c\/strong\u003e, is considered one of the greatest figures in Indian dramaturgy. His work has had a lasting influence on the Indian performing arts, from theater to dance and music. While his authorship of the Natya Shastra is widely acknowledged, the text's history and its many commentaries continue to enrich the understanding of classical Indian arts. This English translation of the text makes his vision more accessible to the global audience.\u003c\/p\u003e","brand":"Shri Satguru Publications","offers":[{"title":"Default Title","offer_id":49990851821872,"sku":"DRG.ShriSatguruPub_9788170301349DRG.ShriSatguruPub_9788170301349","price":1275.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/9968\/4144\/files\/911wXKhMuzL.jpg?v=1756465259","url":"https:\/\/www.retailmaharaj.com\/bn\/products\/natya-sastra-raga-nrtya-ser-no-2","provider":"Retail Maharaj","version":"1.0","type":"link"}